Writing Great Fiction: Storytelling Tips and Techniques: Integrating Dialogue Into A Narrative
(eVideo)
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Physical Description
30m 0s
Format
eVideo
Language
English
Citations
APA Citation, 7th Edition (style guide)
James Hynes., James Hynes|ACTOR., The Great Courses|PRODUCER., & James Hynes|WRITER. (2014). Writing Great Fiction: Storytelling Tips and Techniques: Integrating Dialogue Into A Narrative . The Great Courses.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)James Hynes et al.. 2014. Writing Great Fiction: Storytelling Tips and Techniques: Integrating Dialogue Into A Narrative. The Great Courses.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)James Hynes et al.. Writing Great Fiction: Storytelling Tips and Techniques: Integrating Dialogue Into A Narrative The Great Courses, 2014.
MLA Citation, 9th Edition (style guide)James Hynes, James Hynes|ACTOR, The Great Courses|PRODUCER, and James Hynes|WRITER. Writing Great Fiction: Storytelling Tips and Techniques: Integrating Dialogue Into A Narrative The Great Courses, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouping Information
| Grouped Work ID | 88c37de8-0eaa-a157-e14c-c540f3aada56-eng |
|---|---|
| Full title | writing great fiction storytelling tips and techniques integrating dialogue into a narrative |
| Author | hynes james |
| Grouping Category | movie |
| Last Update | 2024-05-15 02:00:54AM |
| Last Indexed | 2024-06-08 04:38:11AM |
Book Cover Information
| Image Source | hoopla |
|---|---|
| First Loaded | Jan 2, 2024 |
| Last Used | Feb 16, 2024 |
Hoopla Extract Information
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[synopsis] => Turn from the mechanics of dialogue to discover how it can be used to evoke character or advance the story. After surveying how dialect is a powerful tool, if used carefully, Professor Hynes shows you how writers smoothly weave exposition into dialogue, and he considers the significance of what is not said in an exchange.
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