Late in the Day: Poems 2010–2014
(eBook)

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Published
PM Press, 2015.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781629632131

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Citations

APA Citation, 7th Edition (style guide)

Ursula K. Le Guin., & Ursula K. Le Guin|AUTHOR. (2015). Late in the Day: Poems 2010–2014 . PM Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ursula K. Le Guin and Ursula K. Le Guin|AUTHOR. 2015. Late in the Day: Poems 2010–2014. PM Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ursula K. Le Guin and Ursula K. Le Guin|AUTHOR. Late in the Day: Poems 2010–2014 PM Press, 2015.

MLA Citation, 9th Edition (style guide)

Ursula K. Le Guin, and Ursula K. Le Guin|AUTHOR. Late in the Day: Poems 2010–2014 PM Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDe2429298-7984-ebc3-6886-9f2a5c06b7bc-eng
Full titlelate in the day poems 2010 2014
Authorguin ursula k le
Grouping Categorybook
Last Update2024-05-15 02:00:54AM
Last Indexed2024-05-21 06:14:13AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 14, 2023
Last UsedMay 18, 2024

Hoopla Extract Information

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    [synopsis] => Late in the Day, Ursula K. Le Guin's newest collection of poems, seeks meaning in an ever-connected world. In part evocative of Neruda's Odes to Common Things and Mary Oliver's poetic guides to the natural world, Le Guin gives voice to objects that may not speak a human language but communicate with us nevertheless through and about the seasonal rhythms of the earth, the minute and the vast, the ordinary and the mythological.

As Le Guin herself states, "science explicates, poetry implicates." Accordingly, this immersive, tender collection implicates us (in the best sense) in a subjectivity of everyday objects and occurrences. Deceptively simple in form, the poems stand as an invitation, both to dive deep and to step outside of ourselves and our common narratives. As readers, we emerge refreshed, having peered underneath cultural constructs toward the necessarily mystical and elemental, no matter how late in the day.

The poems are bookended with two short essays, "Deep in Admiration" and "Form, Free Verse, Free Form: Some Thoughts."
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