Before the Fall: Soviet Cinema in the Gorbachev Years
(eBook)

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Published
New Academia Publishing, 2010.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781122848503

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Citations

APA Citation, 7th Edition (style guide)

Anna Lawton., & Anna Lawton|AUTHOR. (2010). Before the Fall: Soviet Cinema in the Gorbachev Years . New Academia Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Anna Lawton and Anna Lawton|AUTHOR. 2010. Before the Fall: Soviet Cinema in the Gorbachev Years. New Academia Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Anna Lawton and Anna Lawton|AUTHOR. Before the Fall: Soviet Cinema in the Gorbachev Years New Academia Publishing, 2010.

MLA Citation, 9th Edition (style guide)

Anna Lawton, and Anna Lawton|AUTHOR. Before the Fall: Soviet Cinema in the Gorbachev Years New Academia Publishing, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID8653079d-873f-1b1a-15e8-399215dd4592-eng
Full titlebefore the fall soviet cinema in the gorbachev years
Authorlawton anna
Grouping Categorybook
Last Update2024-05-15 02:00:54AM
Last Indexed2024-06-08 04:35:27AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 17, 2023
Last UsedJun 9, 2024

Hoopla Extract Information

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    [synopsis] => An expanded edition of Kinoglasnost that examines the fascinating world of Soviet cinema during the yeas of glasnost and perestroika in the 1980s.

In Before the Fall, Anna Lawton shows how the reforms that shook the foundations of the Bolshevik state and affected economic and social structures have been reflected in the film industry. A new added chapter provides a commentary on the dramatic changes that marked the beginning of democracy in Russia.

Soviet cinema has always been closely connected with national political reality, challenging the conventions of bourgeois society and educating the people. In this pioneering study, Lawton discusses the restructuring of the main institutions governing the industry; the abolition of censorship; the emergence of independent production and distribution systems; the dismantling of the old bureaucratic structures and the implementation of new initiatives. She also surveys the films that remained unscreened for decades for political reasons, films of the new wave that look at the past to search out the truth, and those that record current social ills or conjure up a disquieting image of the future.
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