The Creativity Market: Creative Writing in the 21st Century
(eBook)

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Published
Multilingual Matters, 2012.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781847697127

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2012). The Creativity Market: Creative Writing in the 21st Century . Multilingual Matters.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2012. The Creativity Market: Creative Writing in the 21st Century. Multilingual Matters.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. The Creativity Market: Creative Writing in the 21st Century Multilingual Matters, 2012.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. The Creativity Market: Creative Writing in the 21st Century Multilingual Matters, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDf6d67d82-aa08-2128-c419-35d7d70033fa-eng
Full titlecreativity market creative writing in the 2first century
Authorauthors various
Grouping Categorybook
Last Update2024-03-05 20:05:51PM
Last Indexed2024-05-11 06:45:01AM

Book Cover Information

Image Sourcehoopla
First LoadedApr 15, 2024
Last UsedApr 15, 2024

Hoopla Extract Information

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    [synopsis] => This book focuses on creative writing both as a subject in universities and beyond academia, with chapters arranged around three organising sub-themes of practice, research and pedagogy. It explores the 'creative' component of creative writing in the globalised marketplace, making the point that creative writing occurs in and around universities throughout the world. It examines the convergence of education, globalisation and economic discourses at the intersection of the university sector and creative industries, and foregrounds the competing interests at the core of creativity as it appears in the neo-liberal global discourse in which writers are enmeshed. The book offers case studies from the UK, the USA, Canada, Australia and Singapore that are indicative of the challenges faced by academics, postgraduate students and creative industry professionals around the world.
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